|
More Songwriting
Tips & Suggestions:
Mix It Up some.....
I'd like to see the first and second
line in the chorus rhyme, and then with a completely
different thyme sound, rhyme the last two lines in
the chorus. You really shouldn't ever use the same
rhyme sound in more than two lines in a song, unless
maybe its in a three line bridge. You should also
mix up the syllables like using compound words for
rhyme. always be thinking unique, original, variety.
Use variety in your rhyme sounds, line lengths,
single words vs. compound words, high and lower
notes in the melodies, etc. Always be thinking
variety. The only thing that is the same in a song
is the hook repeating and the rhyme placement.
Listeners expect to hear and recognize rhyme
patterns and sing along with them. It helps them
remember the words. So it make sense you would want
to have rhyme in your hook and chorus.
Experiment With New Directions & Ideas
MORE
Songwriting Info
Back To - Nashville
Songwriters
Play around with each line for a
while. Gotta be something more descriptive,
personal, original, unique to express what turns
you on about your woman or the situation you're
writing about. Some line can make the difference
between a hit song and just another good song.
Whatever it is, the words need to paint a
picture for the listener of love, desire,
lust???
Study the craft of songwriting
Become a student of song crafting. Search the
internet for songwriting information, go to the
book store and read everything you can find.
Mastering the art of song crafting can take
years so get started now. Read our free
information below and practice, practice,
practice. If you have written 50 or 100 songs,
then you may have one great song. Take one of
your songs and make it as strong as possible
before you go pitching it to professionals.
The best example of your songwriting skills will
be Issus rated by the song you are pitching, so
make sure the song is constructed properly with
a great unique hook
MORE
Songwriting Info
Back To - Nashville
Songwriters
Instructions On How To Write A Song
Start With A Great Idea
Before you can
write a hit song
you have to have a
hit idea. Don't waste your time
developing an idea that doesn't rock the
house. How do you know if you have a great
idea? First, the idea should
excite you. Never write about anything
that doesn't excite and move you. If the
song idea doesn't keep your total attention
and devotion you will not be motivated to
spend the countless hours developing, moving
parts around and re-writing the song to make
it a hit song. It usually requires a huge
effort on the part of the songwriter from
writing, re-writing and pitching a song
before any material success is realized from
that song. Don't spend a lot of your
valuable time on a bad song idea. That
doesn't mean you have to have an old cliché
or catchy title to start writing a hit song.
You have to have a great song idea. One that
can project images of actions or love. You
song idea can about a songwriter that meets
the love of his life while co-writing a new
hit song. Could be called
"Love From A Hit Song", etc., but you need
to be able to sit down and write out a list
of actions or events that will take place in
the lyrics of the song. They
need to eventually develop into the
climax of the song where you and your new
soul mate get married for instance. In any
case, test your initial idea from several
angles and ask your friends or fellow
songwriters what they think of the song idea
before you reach for that pen and start
writing your heart out. Make sure you have a
hit song idea first. Something new and
unique with a twist of its own.
Writing An Interesting Melody A
Hit Song consists of hit lyrics and a hot melody.
One without the other will not make a hit song, it
takes both. If you write only lyrics you will need
to co-write with someone that is a good melody
writer. A hit melody must have variety and
excitement just as the lyrics does. Never settle for
the first melody that comes into your head, it will
almost never be the best melody you can write. A
great melody requires constant re-writing to make it
a hit melody.
MORE
Songwriting Info
Back To - Nashville
Songwriters
Most songs fit one of several basic
patterns such as a verse with 4 or 5 lines, a chorus
of 4 or 5 lines, another verse of 4 or 5 lines and
possible a bridge. My focus will not be on song
structure as there are many books and articles on
correct song structure. We will focus primarily on
things you can do to make your songs better and
hopefully hit songs.
Make sure you have a melody that
can be complemented by one of the song structures above. If you
have a melody that uses its own verse, chorus, bridge or other
structure, you may not be able to locate lyrics that can be used
with your melody. You do not need a full production melody to
know if you have a hit potential melody. It does have to be
interesting, exciting, new and refreshing though. Take
your melody idea and experiment with slightly different
versions. Go high or low here and there instead of vice versa.
Switch things around and try for the melody that's the most
original and unique. You will need to make a great professional
demo of the song later, but for now you just need a great unique
chord arrangement.
The First Verse
The
first verse is the most important verse in the song. Not
that the other verses are not important because they are also
important to a hit song. If the listener is not excited by the
song during the first few bars and lines of lyrics they may stop
listening to the rest of the song. The first few lines of
lyrics must get the listener's attention and set the stage for
the rest of the song to develop. Be sure to use colorful and
descriptive words and adjectives. Don't tell the listener what
is happening, let the lyrics show the listener what is taking
place in the song. Make sure you explore the where, what, whom
and "what happened then" concept when writing your lyrics. Try
to keep reading those good parts over and over in your mind.
Then try to add some new and interesting information in the song
via imagery. Let your characters act it out in the song. That
way your listener becomes part of the song.
MORE
Songwriting Info
Back To - Nashville
Songwriters
Remember you want one main idea only
in your song. Once you determine what your idea is you have to
fully develop that idea and not introduce other ideas that will
water down your idea. Write strong lines that will develop your
idea and contribute to the listener's understanding of the
situation of our song. I recommend always using the third person
point of view when writing songs at first. He, she or they is
better at first than I or me. You can experiment with writing
first person songs later. Also, Try to write happy, faster paced
songs at first. You can write sad, slow, cheating songs later
after you have developed more skills and have had some chart
topping successes of your own. You want all the odds in your
favor when trying to write your first hit song.
The second verse needs to continue the
story to another level. Don't just repeat what the
listener already knows, add new information, new
action that will contribute to the listener's
understanding of the basic story line.
Keep asking yourself, "then what did they do"?
Or,
then what happened? Be sure to use more
colorful, descriptive and entertaining words and
lyrics. Use rhyme carefully and don't overdo. Rhyme
is used to help sell your song to the listener.
The rhyme will help the listener predict what's
coming next and in remembering the lines to your
song, especially in the chorus where you will
usually
repeat the lines.
Writing The Chorus
The chorus is
where you bring your primary idea to bear. This is where you
provide the solution or the result of the actions in the verses.
The
melody of the chorus should be a change up
from the melody of the verses also. You need to use variety here
to keep the story interesting, but to the point. Always
stay on target with your one idea and every word of the song
needs to contribute new information to the idea you are
developing. Don't take off on another angle that leads you away
from the main basic idea of your song. Every line of your songs
needs to point to the main idea or title of your song. If any
line of your song does not point directly to or complement your
main idea and title, cut it now. Always keep reading your title
and main idea over in your head while you are writing new lyrics
or re-writing old lyrics. Stay on track with your
one main idea.
MORE
Songwriting Info
Back To - Nashville Songwriters
Use repetition
in your chorus to drive home the main idea of the song. Repeat
the title more than once. Use rhyme in the chorus to drive home
the main idea that you are repeating. The chorus is not
the place to inject new angles or directions. It's the place to
drive home the main theme of your song and maybe the
consequences of the actions in the verses.
Finishing The Song
I'm not sure a song
is really ever finished. I have songs I have
been writing on for years with demos completed and I
still find a better more creative way to deliver the
message. Always stay open to new ways to improve
your songs with new lyrics and new melody changes.
Strive to make your song as strong as possible. Only
then will it have a chance of being hear and
recorded. Make sure you have tied all the lines of
you song back to the title. Can the song do without
one of the lines? If so, cut it now and write
another. It won't survive the test of pitching
a song these days. Publishers and recording artists
are not looking for good songs, they want hit songs
that will further promote their careers. The good
songs they record will be written by their friends,
etc. You need a hit song to get anyone's attention
today. That's why its so important to have a great
idea before you start writing the song. Only a song
with a great unique idea and carefully crafted
lyrics and melody will get consideration in today's
competitive songwriting market.
MORE
Songwriting Info
Back To - Nashville
Songwriters
Co-Writing
Consider
co-writing with another songwriter. Co-writing offers many
rewards, one of which can be hit songs. Find someone that brings
something other than what you bring to the table. If your
strength is writing lyrics, find someone that is a better
melodist that you are. The combination can result in stronger
songs. When it comes times to cutting quality song demos and
pitching to artist you have two resources to contribute with a
co-writer.
Final Songwriting Comments:
I have been writing songs many years now and I have
a collection of some nice song starts, tunes,
verses, etc. I literally have a suitcase full of
napkins, torn off paper with lines on them and let's
not even talk about my home studio where I have
hundreds of tunes to music waiting on lyrics to
finish them. The best advice I can give to a
songwriter is stick to just one song and force
yourself to make it strong. Make sure you have
a hit idea though before you spend your time on a
song.
Master writer has a great
rhyming dictionary software package for songwriters. It provides
great rhyme you'd never think of. You can download a demo of it
for 30 days and try.
MORE
Songwriting Info
Back To - Nashville
Songwriters
About Nashville
Songwriter Roy John Fuller
Roy John Fuller a BMI songwriter has had several Top
10 Billboard Pick Hits starting with "Angel In Disguise"
(1975 Nashville Columbia Studio B), "Your Song" (1975
Nashville Columbia Studio B), "The Image of Me"
(1978 Nashville RCA Studios), "Giving Up Getting
Over You"
(1979 Nashville Tandem Studios),
"The First Time"
(1981 Nashville Woodland Studios), "Do
It" (1981 Nashville Woodland Recording
Studios), "The Shoe's On Another's Foot"
(1981 Nashville Woodland Recording Studios).
He has Pick Hits and write up's in Nashville Entertainer,
Songwriter Magazine and other music industry publications.
Roy's
Biography
**
If you're an artist or
publisher looking for hit songs or a
co-writer-
Contact Us
For Your Next Song.
MORE
Song Resources
Back To - Nashville
Songwriters
|